Tag: Uproar

Episode 8 – Uproar

Today’s “Two on Tuesday” stories are from our show UPROAR.

Peter Tinaglia is a graduate of the master’s program in voice at Manhattan School of Music. In this story, he reflects on a horrifying undergraduate experience where a mere slip of the tongue led to unintended consequences.

Merritt Minnemeyer performs “Ms. Lorimer… If You’re Nasty.” Written by Peter Tinaglia and directed by Kelly Jean Fitzsimmons.

Uproar

 

Switching it up! Merritt Minnemeyer writes about losing a loved one and how to care for the ones left behind. Peter Tinaglia performs “Mourning Becomes Elijah” written by Merritt Minnemeyer and directed by Erika Iverson.

These stories were part of our Uproar show on November 18th, 2014.

Here are the switched-up storytellers’ bios from that evening:

Merritt Minnemeyer is an educator, writer, performer and advocate. She holds a BFA in Acting from NYU and has nearly 20 years experience teaching and producing theater in and outside of New York. She is most passionate about employing those skills in the social justice arena, and is currently pursuing a Masters in Humanistic/Multicultural Education at SUNY New Paltz. Most recently she founded Tipsy Gazelle, LLC with a focus on developing a community arts space in a 200 year old home in Beacon, NY where she resides with her three children. Merritt is deeply grateful for and honored to work with NYTI.

Lyric tenor Peter W. Tinaglia is a recent graduate of the master’s program in voice at Manhattan School of Music. He was seen as Fatty in MSM’s Spring 2013 opera Aufstieg und Fall der Stadt Mahagonny and was featured in MSM’s Spring 2013 musical revue Side by Side by Sondheim. Also while at MSM, Peter participated in the Opera Scenes program, Mr. Ken Merrill’s seminar on the music of Kurt Weill from 1927-1933, and the American Musical Theatre Ensemble’s production of Ragtime. Favorite opera scene work includes Alfredo (La Traviata), Pinkerton (Madama Butterfly), Edgardo (Lucia di Lammermoor), and Don Ottavio (Don Giovanni). Favorite regional opera and operetta credits include The Rape of Lucretia, Così fan tutte, Les Contes d’Hoffmann, Kismet, and The Great Waltz. Peter is a proud graduate of Northwestern University (B.A.) and Boston University (M.S.). In addition to performing, Peter maintains a private voice studio in New York City. He also works as a non-profit project manager and teaches introductory project management courses online at Boston University.

November 10, 2015 Post Comment Podcast Tags: , ,

Mourning Becomes Elijah by Merritt Minnemeyer

Switching it up, here’s Peter Tinaglia performing Merritt Minnemeyer’s story “Mourning Becomes Elijah.”

Ms. Lorimer…If You’re Nasty by Peter Tinaglia

Beginning the second half of Uproar, here’s Merritt Minnemeyer reading Peter Tinaglia’s “Ms. Lorimer…If You’re Nasty.”

November 24, 2014 Post Comment News Tags: , ,

Folie à Deux by Minna Proctor

Now, switching it up, here is Noah Diamond reading Minna Proctor’s “Folie à Deux.”

November 24, 2014 Post Comment News Tags: , ,

Gabriel Santorum Meets the NYPD by Noah Diamond

Starting out our evening of stories based around the theme Uproar, here is Minna Proctor reading “Gabriel Santorum Meets the NYPD” written by Noah Diamond.

Thanks for Joining us at Uproar!

Thanks again to everyone who braved the cold to join us for Uproar last night. Stories will be online shortly.

Meet the Uproar Storytellers

Nov 18 2014 @ 7:00PM

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Well, here we are. It’s somehow mid-November?! Pretty soon we’ll be tucking in to a turkey (or tofurky or whatever your preference is) dinner with relations and friends, having to negotiate thorny topics like #TaylorSwift and #Feminism and #TheWarOnChristmas without completely alienating our table mates,and then drawing straws for who’ll be the muscle when rolling up on a Black Friday sale. Which is all a lead-in to the minefield that is December, with awkward office holiday parties and end-of-year malaise and the promise of “quality family time” and oh mercy. We are on the brink of that territory, oh yes, but before we slide headfirst into the season, we offer you our next storytelling joint of 2014: Uproar. And it will be uproarious indeed. These stories run the gamut from heart-stirring to outré. Think of this show as a safe space and final chance to engage with words and feeelings that aren’t explicitly motivated by holiday insanity!

And with that rather ominous intro, let’s meet our Uproar storytellers. (Seriously, how can you go wrong with this talented slate of writer/performers?)

Noah Diamond spent years researching and adapting I’ll Say She Is, the lost Marx Brothers musical of 1924, and played the role of Groucho Marx in the show at Marxfest and FringeNYC. I’ll Say She Is will return in 2015. Other credits, as author, songwriter, performer, and/or producer, include Groucho on the Air, Travesties of 2012, Moral Value Meal, and Life After Bush. He is the author of the book 400 Years in Manhattan, based on his stage show. In 2013, he wrote and illustrated the daily comic strip Love Marches On, set in Times Square in 1925 and 1975. Discover true happiness at noahdiamond.com.

Merritt Minnemeyer is an educator, writer, performer and advocate. She holds a BFA in Acting from NYU and has nearly 20 years experience teaching and producing theater in and outside of New York. She is most passionate about employing those skills in the social justice arena, and is currently pursuing a Masters in Humanistic/Multicultural Education at SUNY New Paltz. Most recently she founded Tipsy Gazelle, LLC with a focus on developing a community arts space in a 200 year old home in Beacon, NY where she resides with her three children. Merritt is deeply grateful for and honored to work with NYTI.

Minna Proctor is an editor and essayist. Her first book, Do You Hear What I Hear? came out in 2005. She has published a number of translations from Italian, including the award-winning Love in Vain: The Short Stories of Federigo Tozzi. Her essays and reviews have been published in Conjunctions, BookForum, BOMB, The Nation, Aperture, NPR.org, American Scholar, The New York Times Book Review, Time Out, New York, and others. She teaches in the Creative Writing Program at Fairleigh Dickinson University and is the Editor of The Literary Review. She is currently writing a collection of linked personal essays.

Lyric tenor Peter W. Tinaglia is a recent graduate of the master’s program in voice at Manhattan School of Music. He was seen as Fatty in MSM’s Spring 2013 opera Aufstieg und Fall der Stadt Mahagonny and was featured in MSM’s Spring 2013 musical revue Side by Side by Sondheim. Also while at MSM, Peter participated in the Opera Scenes program, Mr. Ken Merrill’s seminar on the music of Kurt Weill from 1927-1933, and the American Musical Theatre Ensemble’s production of Ragtime. Favorite opera scene work includes Alfredo (La Traviata), Pinkerton (Madama Butterfly), Edgardo (Lucia di Lammermoor), and Don Ottavio (Don Giovanni). Favorite regional opera and operetta credits include The Rape of Lucretia, Così fan tutte, Les Contes d’Hoffmann, Kismet, and The Great Waltz. Peter is a proud graduate of Northwestern University (B.A.) and Boston University (M.S.). In addition to performing, Peter maintains a private voice studio in New York City. He also works as a non-profit project manager and teaches introductory project management courses online at Boston University.

No, YOU Tell It!: Uproar will take place on Tuesday, November 18th at 7PM. Do click on our Facebook invite for more info.

Event Information

Nov 18 2014 @ 7:00PM

Jimmy's No. 43, East 7th Street, New York, NY, United States

Save the Date: Uproar

Nov 18 2014 @ 7:00PM

Just a quick reminder: we’re going to unleash our next switched-up storytelling joint, entitled Uproar, on November 18th. Mark your calendars accordingly.

Event Information

Nov 18 2014 @ 7:00PM